Unless your hardware has some onboard low and high pass filters engaged, you may do it with the EQ plugin. Actual compressionĮvery time you are using a compressor, it is always useful to consider applying some EQ before. It is very hard to get rid of popping sounds with software, so you might as well fix it beforehand. Also, acquiring a couple of pop filters could be a good idea. And that will tell you how many preamps should your audio interface contain. The mic does not have to be expensive, just with a high noise to signal ratio, that is important because no matter what compression settings for speech, they will also make any unwanted noise louder as well.Īs for the audio interface – the only thing you should be considering is how many people will be talking at the same time. Unfortunately, you are going to spend some of your hard-earned money on a couple of microphones (we recommend condenser) and an audio interface.
Light compressor for podcasting professional#
Those things exist only for convenience, and even if they sound decent for your personal home projects, you could not possibly achieve anything even close to professional sound.
If you want your recordings to sound even remotely professional, you obviously can forget about using the built-in mic of your laptop or any other kind of consumer built-in recording gear. If you can afford all of those things, good for you, but for the rest of us, mere mortals, it is crucial to stay within a budget, often quite limited, and to be able to achieve the most with less. Those consoles have already pre-made settings that could be recalled on the go. And there are a lot of ways to do that.įirst of all, you could always buy some expensive microphones with, for example, tube preamps, which in itself will give you a very subtle compression and a silky high-end, or you can buy no less expensive digital consoles that are made explicitly for podcasters. Whenever you have a desire to talk with people via podcast or record yourself explaining certain matters, you would want your recording to sound professional, right? Well, what sets apart all of the professional podcast recordings is that they always sound natural, and most of the time, listeners could not tell that something was changed. Sometimes you do not need any compression at all, but instead, you are better off with some subtle de-essing and gentle limiting. Since we are looking for very subtle compression, we must use softer knee settings, which makes compressed and original sounds mix gradually. Using slower attack and release times also might be quite beneficial, both of which should be set accordingly to the flow of your recording. Your compressor must be set on lower ratios with a reasonably low threshold.
In this article, we hope to help you understand and implement the best compression settings for podcast and speech.
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